He doesn’t have an amazing singing voice, but it certainly packs a lot of emotion. Like Snoop Dogg and Big Youth, Sizzla is an artist who started out rapping but decided to branch out into singing. He alternates between gruff chatting and an exaggerated falsetto. The riddims are solid, the songs are well-recorded, and Sizzla sound full of fire and brimestone. While some of Sizzla’s output seems like it was recorded in three hours using whatever riddims happened to be in the producer’s hard drive, “The Messiah” sounds like actual time and thought was put into it. ![]() Still, his hit rate is good enough that I was eager to give “The Messiah” a listen. I sampled his back catalogue on Spotify, and found that not all of what he’s released is prime AAA beef. Granted, the quality of these releases is all over the map. He has been insanely prolific in the eighteen years since he put out his first album, releasing as many as five albums a year. Miguel Collin has been recording as Sizzla Kalonji since 1995.
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